12/27/2023 0 Comments Mercy sound recording studiosAn inspiring downtown view, including a beautiful perspective of the legendary Puck Building, is there for the taking. Additional acoustics treatment work was performed by Audio Structures (the team behind Rubber Tracks and Jungle City). The result: the natural light of the live room’s windows can illuminate all four rooms, or also be cut off by curtains between the spaces, if preferable. Go into the Broadway suite, and you can see clear through the glass-walled vocal booth that sits in between both that space and the larger “Crosby” control room, then straight on back to the 175 sq. Mercy Chinwo unleashed this track captioned Wonder, as the first exciting record to appear on her most-anticipated studio project termed Elevated which came. Designed for tracking and mixing, Studio A is equipped with a Yamaha C5 grand piano and a 48 Channel Solid State Logic Duality Console. Studio A features two live rooms, one 17 X 19 and the other 17 X 14. Upon entering, visitors find themselves in the retro-style lounge, with the entrance to the smaller “Broadway” production suite to their left. Cutting Room Studios features two recording spaces, studio A and studio B. The duo implemented an efficient design that shares the studio’s assets, while still allowing modular use and separation when desired. Welsh worked alongside acoustics expert Steve Vavagiakis, who also helped see through the vision for the space. Once he took hold of the space, Boaz enlisted studio architect Douglas Welsh of Box 59 Design - whose experience in studio design developed with his work at Kravitz Design - to maximize the railroad-style layout of Sweet Sounds. There weren’t any options for us to grow there, so we started looking for a place to go.” “The last two years we were constantly booked and packed, but it was one room with one booth – the number of clients was always going to be capped. “The place evolved from somewhere that I’d work on my own music to a commercial business,” says Boaz, an electronic music producer and former DJ. Along with a highly capable crew of engineers, Boaz started Sweet Sounds in 2006, operating out of the busy Mercy Sound complex on 14th Street and attracting a growing clientele of hip hop artists, vocal trackers, and electronic music producers.īut Boaz and associates eventually outgrew the space, and the young-but-seasoned proprietor knew 2012 would be the year to make the move, all the better to serve a client list that has included O.A.R., Toots and the Maytals, Mos Def, Wiz Khalifa, Curren$y, Raekwon, Todd Terry, DJ Skribble, Stalley, Trina, Jim Jones, Ski Beatz, Sean Kingston, Talib Kweli and Hank Shocklee. The space may be fresh, but neither the name nor the game is new for studio owner Dinesh Boaz.
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